What did we learn today, kids?
KeithHandy posted in Featured Posts, Instruments, Old skool, Playing, Producing on March 23rd, 2008
What if I wrote a blog post every single time I did a recording session? It would be sort of like a “what I learned today” thing, like at the end of any given episode of Fat Albert or Davey and Goliath.
I didn’t really intend to replace the bass and drums on every single song in my rock opera, but when you’re doing an inventory on the state of your remixes, and the bass guitar is within arm’s reach and already plugged into the board, and hey, the camera is right behind you so you might as well turn that on too… you know how it goes.
So, hmm… what did I “learn” from this one? What was the “moral”?
The lesson is: always give yourself a “thumbs up” of encouragement just prior to a take!
One thing I like about these Through Forbidden Black Doors session videos is that they make the songs actually look playable. By humans. Somehow, having originally done so much on a sequencer, I’d probably given myself and everyone else the opposite impression.
I don’t intend for the Chamberlain (Mellotron) sample to sound like a real flute player, but it would probably be a good idea to ride its volume a little and add a touch of delay to give it a more “trippy hippie fantasy” quality. Maybe also scrunch a few of its more metronomic sounding notes closer together, to loosen the overall rhythm and open some “breath spaces” between phrases.
The John Lennon t-shirt was a thoughtful gift from my friend’s mother, but somehow I get the feeling it was designed by someone who spends more time listening to Motorhead.
Happy Easter!


March 24th, 2008 at 12:39 am
Cheers Keith! Coincidently I subscribed to your blog this week thanks to The StereoBus :D
April 20th, 2008 at 10:07 am
Yeah, I was totally wondering about the Lennon shirt.
Because I’m a flutist: Chamberlain=GAH! This has been a public service announcement by your local anal-retentive woodwind doubler. That being said…
I like the effect of the sample- especially toward the end there. I agree with the tweaks– it would really make it trippy and sound very cool.
April 20th, 2008 at 1:25 pm
Because I live in such close proximity to the Eastman School of Music, I guess I theoretically don’t need to use any kind of sample, but I will take a vintage-y Mellotron or Chamberlain sample over anything manufactured in the 1980s.